Until 8 February 2015
A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench
This complex-titled exhibition which sees the London-born, Los Angeles-based artist Walead Beshty transform the Curve by covering the wall of the gallery from floor to ceiling with more than 12,000 cyanotype prints.
Each cyanotype (a photographic print with a cyan-blue tint) is produced using an object from the artist’s studio, which is placed on a porous surface (such as discarded paper or cardboard) that has been coated with UV-sensitive material. After being exposed to sunlight, the object’s silhouette appears against a cyan-blue background.
The Curve, Barbican Centre, Silk Street, London EC2Y 8DS
Details at barbican.org.uk